★★★★★
“From within a time of fear, racism and misunderstanding, Janet Marie Rogers offers us an invitation into the intimate and ancestral depths of a mind expertly attuned to song. A voice that sings that “love is silly/but we/still love. This is a collection that speaks to the reality of us all as treaty people. Without a doubt, among the most direct, unrelenting and important poetic offerings of our time.”
Liz Howard - 2016 Griffin Poetry Prize Winner for Infinite Citizen of the Shaking Tent
“Janet Marie Rogers’ poetry confronts the “ego of a nation” by drumming and singing the percussive language of Indigeneity. The table of contents reads like an index of “shrapnel of language “ she and we can hear in the discursive ruins of colonization. Within the uplifting reverberations of this rap poetry Rogers reminds us that love and patience are necessary citizens of the home we all want.”
Fred Wah - Parliamentary Poet Laureate 2011-2013, Officer of the Order of Canada, Governor General Literary Award Winner
“Janet’s work reads like someone on truth serum. She digs deep and excavates lost facts with sharp tools and soft brushes. Mindful and passionate, she quenches thirst and shines light into dark corners. Thank you for your work.”
Tanya Tagaq - Polaris Music Prize Winner, author of Split Tooth
“Janet Marie’s words stir up the sludge at the bottom of my lake. Her writing opens up the door to creative possibilities for me so that all I have to do is walk through.”
Tom Wilson - Lee Harvey Osmond leader singer/songwriter, author of Beautiful Scars